Flash- Tim Tigner

From the very first page of Flash  I was hooked. The situation the Troy and Emmy, the main characters, are in is just so unlike anything I have read before. They wake up in an abandoned car covered in blood next to a dead policeman, with no idea as to why. The mystery and bizarreness (is that even a word?!) had me wanting to read more. I wanted to find out why they had no idea who they why and why they were in that care.

However, this wasn’t the only type of discovery in the novel. Yes, Troy and Emmy were on a quest to discover who they were and what had happened to them, at the same time that the police were trying to discover who they were as their unfortunate situation frames them as criminals, and forces them to continue committing crimes in order to try to learn the truth about their memory loss. This idea that anything or anyone could be discovered at any moment meant that tension was high as the novel’s pace did not slow down.

What I liked about the characters is that they weren’t immediately superheroes, ready to accept their fate. Like ‘realistic’ people, they took time to adjust to their new lives, and to their relationship with one another. They don’t immediately get on- understandably given the circumstances in which they meet one another- but it is  this that adds to the suspense of the story: how will and why should their attitudes change?

Flash is very much a ‘just a few more pages’ type of book, which meant that I devoured it in a matter of hours, and I’m glad I had the ability to do so, as I would have otherwise feared that the narrative would have carried on without me and left me behind. I would definitely recommend this book to anyone in search of suspense and mystery without clichés

Diving In- Gretchen Galway

I’m currently away in Germany, and the weather has been amazing, so I have been spending most of my days laying in the park sunbathing. This warm, summery weather has meant that I’ve wanted to keep my reading light and easy to dip in and out of (no pun intended regarding the title of the book). To me this means a book that is based on a love story, with uncomplicated humour and easy-to-relate to characters.

 

This made Diving In  the perfect choice. Set in Hawaii, the location reflects my current summery mindset (though a little more tropical than eastern Germany, I have to admit) and revolving mostly (but not entirely) around accidentally falling in love, this light-hearted novel was exactly what I wanted in a book. However, the narrative isn’t quite as one-dimensional as this makes it sound, as the two main characters both have deeper reasons for being where they are other than chance or coincidence. Nicki, a school teacher with very little happening in her life, finds herself in Hawaii trying to make her life more exciting and trying to overcome some of her paralysing life-long fears. Ansel, a very lucky (yet incredibly generous), is there trying to make something of his life,  too, after threats from his father that he will be cut off from the family wealth out of fears that his easy life has made him complacent.

Both characters are 30, and have worries that they won’t actually amount to anything. But they also share something else, though Ansel doesn’t realise it quite as soon as Nicki, who hasn’t every been very lucky in love.

Not only is  Diving In great for learning how the Nicki and Ansel fall in love- after multiple bumps in the road and attempts at self-control; it is also a story of self discovery. Perhaps not drastic, ground-breaking self-discovery, but simply a matter of overcoming fears and breaking misconceptions the characters had about themselves. This means that when the narrative dénouement is reached, they are both in a good and settled place for the future of the novel to be possible.

Even though the narrative isn’t the most complex, Diving In  is different to a lot of other romance novels in the way that the aim of the narrative is more than just watching the characters change as they evolve into a couple. This narrative is about the characters evolving as their own people in order that they are able to become a couple.

My only criticism would of this book might be that some points of the narrative seemed to last longer than they needed to- so perhaps it could have been a little shorter- though I never really got bored.  However, this minor criticism would not stop me from recommending Diving In to anyone who wanted what I did before I read it: a feel-good summery read.

The Big Little Wedding In Carlton Square- Lilly Bartlett

I loved this book from the very start, there are no two ways about it. It may not have been the most complex or twist-filled novel that I have ever read, it was light and heartwarming. This was exactly what I needed on a five hour coach journey, where anything too serious would have been impossible to focus on. I also managed to read The Big Little Wedding In Carlton Square from start to finish in said coach journey- not because I was desperate to find out what happened next (that much was almost obvious), but because I genuinely cared about the characters and reading about them made my heart warm.

The whole time I was reading The Big Little Wedding In Carlton SquareI couldn’t help but think a lot about Me Before You – though the couple definitely don’t meet in the same way, their family backgrounds are more or less the same: a working class girl whose family are incredibly important to her, and a privileged man whose always hand things handed to him on a plate. I mean, that’s pretty much where the similarities end, but  Emma Liddell’s character – in her mannerisms and speech and values, very much reminds me of Jo Jo Moyes’ Lou Clark – which I liked!

I like how the author portrayed the two different families, without overdoing it in terms of stereotypes. I suppose that Daniel’s family are slightly over exaggerated, but not to the point that it’s embarrassing to read- but just perhaps how it may feel for a working class family to suddenly be around incredibly wealthy people. Perhaps if the narrative was told from Daniel’s point of view, we would see a similar sort of representation of the Liddells.

At the best of times, weddings are a source of dispute, let alone when the bride and groom come from completely different worlds. However, what I like is that Emma always manages to stay true to her roots, and doesn’t let the temptation of an extravagant wedding paid for by her in-laws override her loyalty to her family.

Ok, so the characters didn’t necessarily have the most complex stories behind them, but for a book like this it didn’t really matter. I would say that  the most important part of the characters in The Big Little Wedding In Carlton Square is seeing who they become after their experiences in the novel, rather than how their past experiences affect the narrative itself.

At times, there are worries that the wedding is going to be a disaster, as white lies are told and false promises are made between the two families. But its great to see the community spirit on Emma’s side (important to me, as I come from a close family with a wide network of friends who always want to help out) help to pull off a beautiful wedding that even impressive some of Chelsea’s most wealthy people, without them even realising.

If you are looking for a complex and shocking novel, then perhaps this isn’t the read for you. But if you simply want to read a book that makes you smile and feel good about people, then I definitely recommend The Big Little Wedding In Carlton Square

Perfect Remains- Helen Fields

When I first began reading Perfect Remains, I wasn’t fully convinced that it was going to reach my standards of a crime thriller. Yes, it was set in the UK; and yes, it featured a weird individual who manages to fool the police (at least for a while). But something just didn’t feel right.

I think I hadn’t full registered the novelty of what it was that this novel’s killer was doing differently to criminals in other books I had read: he wasn’t actually killing. Or rather, he wasn’t actually killing who everyone thought he was. The clever thing about King is just that: his crime is so intelligent; he pre-plans every piece of minutiae that the police may be interested in when exploring the disappearance, and murders, of people. This meant that there was always tension when the police believed they had discovered something about their criminal, but the reader already knows better.

I liked that Detective Inspector Callanch’s character has depth: his story is about more than what we read in Perfect Remains, and it’s great that Fields lets this seep into the narrative, as it gives an explanation to his reasons for making certain choices- whether he is aware of this or not. I must admit, however, the focus on his ability to speak french does seem a little forced at times. Obviously it is another level of his personality, but it did seem that the author allowed this to take up more of the narrative than really necessary.

I didn’t necessarily develop empathy for any character in particular, but I did come to feel very strongly about King by the end of the narrative. It was frustrating that someone who appeared so ordinary and harmless to the outside world could be so twisted behind closed doors. This meant that the anticipation of his capture was constant throughout the novel- he couldn’t have been discovered fast enough. Though, I must admit, his name did rather appear out of nowhere: apart from the initial false suspect, the police didn’t need to waste their time with anything else- I wonder how close to reality this is.

What I liked most about Perfect Remains was that the reader always knows everything. It creates a sense of power over the narrative, and means you can almost feel like you’re outsmarting the police (even though, in reality, you are simply being handed the information). In spite of its minor flaws (namely the heavy focus on Callanch’s bilingualism and the fact that the discovery of King as a suspect happened very conveniently), I would definitely recommend this book. It has the perfect amount of suspense, with the right balance of realism and gore. Have a read!

Beyond Repair- Susie Tate

I chose this book as I choose most of my reads: on the Amazon Kindle Bestsellers list. The book description sounded like the perfect light, comedic read after the more serious narratives I’ve been reading lately, so I was looking forward to getting started.

My first impressions matched my expectations, I liked that it started in the middle of a familial situation, helping to establish a clear picture of who some of the characters are- in terms of their personalities and their relationships with one another. It was instantly apparent that Katie, the main character, was likeable and made me want to continue reading as I cared about what happened to her.

This lasted for a few chapters, until I began to lose interest in the narrative. I’m not sure whether it was that perhaps I hadn’t been concentrating enough, or whether it was simply that the narrative had slowed down. I found myself needing to re-read multiple pages to check that I hadn’t missed anything important to understand the current situation, and most of the time I hadn’t. This inability to remain interested in the narrative continued until around five chapters before the end of the book, where the action seemed to pick up again. Once again I was interested in the relationship between Katie and Sam, and I think it was at this point that the rest of the narrative (where I had lost interest and investment) started to make more sense.

I must say, however, that the end of the narrative was rather cliché, and whilst this isn’t always necessarily a bad thing, I think I was hoping for a little more substance, given the deeper issues in the rest of the book.

I think Beyond Repair does show Tate’s ability to build three dimensional characters in a way that the reader is able to empathise and identify with them. However, I do think that sometimes the detailed description within the book, though useful and effective at points, can distract from the actual action in the narrative- and this is perhaps why I found it difficult to stay focused on what was happening. I did appreciate the short chapter lengths because, as I’ve mentioned before, I read whenever I get the chance (even if it’s just five minutes), which means that I can easily dip in and out of the book, without losing myself midway through a chapter.

This hasn’t been my favourite book by any means, but that is not to say that I wouldn’t recommend it. I think I would just advise potential readers to stay as focused as possible when reading to avoid losing track of what is happening.

Just the Two of Us- Georgie Capron

As I choose many of my books, I found this on the Kindle Free Bestsellers list. I have found so many great reads on this list, so would definitely recommend checking it out before paying for a book!

One of the main things I noticed about Just the Two of Us was how possible it actually was in the real world: the idea that among a group of girlfriends, there is that one that can’t help feeling as if time is running out and that she is in danger of being left on the shelf for too long. I think this is something that everyone can relate to- even if you aren’t worried about your love life in comparison to your friends’, you may be worried that your career isn’t progressing in the same way.

I also felt that the main character Lucy was so friendly and open that it felt as if I was just accompanying a friend on a journey through life. However, I do think that this would have worked even better if the narrative was told from her perspective so that we could really get to know her and her inner-feelings, as I always find there’s something a little bit superficial about a separate, omniscient narrator explaining the characters’ inner thoughts.

The other characters in the narrative all seemed very ‘normal’, too. None of them seemed to be clichéd or over-exaggerated, which is definitely a positive. It made the book very easy to read, as there was no one that grated on me throughout.

Having said that it did seem feasible in real life, perhaps the choice Lucy makes regarding her ability to become a mother isn’t exactly an everyday occurrence- I certainly don’t know anyone that has ever done it! However, it was interesting to see how something that she had wanted so much could alter in some ways (and remain in others) as other aspects of her life begin to change. I think it goes to show that you have to be completely certain about making big life decisions before you go ahead with them, as you never know what (or who!) is just around the corner.

This book was certainly filled with humour, making me smile to myself at certain points. But it also had its fair share of sorrow, which I liked too. I always enjoy a book that makes you feel different things, it shows the author knows what they’re doing! Lucy’s discovery in Alex’s golf bag early on in the narrative made me smile, and reminded me very much of a scene with the character Liv in Bride Wars – though it would be fair to say that their futures take completely different turns.

In spite of the book being typical of the romantic comedy genre, it did keep me on my toes. There were twists and turns that I didn’t expect, and even when I thought that I knew how the book would end, it took a different turn. In fact, in the penultimate chapter I was sure something completely out of the blue was going to happen, but the author brought it back around to surprise me.

I would definitely recommend Just the Two of UsIt’s a girly book without a doubt, but that’s not necessarily a bad thing- especially when it’s as well-written and as well-thought-out as this!

Saving Saffron Sweeting- Pauline Wiles

I bought Saving Saffron Sweeting without really knowing a lot about it. I hadn’t even read the blurb, but was intrigued by the title: was Saffron Sweeting a person, or a place?

I was struck by the friendliness in the narrator’s tone. Grace Palmer , the main character, is automatically incredibly open and sharing with the reader, which meant I could instantly start to feel empathy for her, when in the very first sentence of the novel she reveals that her husband has cheated on her. Though sometimes over-used in fiction, there’s no doubting that an unfaithful husband is a great way to get female readers involved with and engage with the story: it is something we are all fiercely protective over one another about.  Whilst the story could have easily turned into a mystery as Grace tried to discover her husband’s new lover, as she became sneaky and paranoid, it didn’t. I liked that it was solved quickly and that Grace decided to act strong and independently, starting a new life for herself.

The thing that I liked most about this new life that she was trying to create, was that it took place in the area that I grew up in. As soon as I read the word ‘Norfolk’, my interest in the story increased dramatically. Even though I’m not homesick, the fact that I’m away from home this academic year means that any mention of a town close by brings a warming feeling of comfort and nostalgia.

Something about the fact that Grace – a genuinely lovely person, who always seems to do the right thing- was living a lone in a cottage in the countryside reminded me of Cameron Diaz in The Holiday . As one of my favourite films, this gave me just another reason to like Saving Saffron Sweeting even more. Though, I must say Grace’s new life is a lot more realistic than Amanda’s in the film, as she actually has to use her existing skills to make a living. She isn’t lucky enough to meet Jude Law to sweep her off her feet. Having said that, Grace’s potential new love interest does hold some promise, and the start of their affair is somewhat exciting, but even this reveals yet another thing about Grace’s genuine character.

Though I don’t usually like it when British authors use American settings or vice versa (I find that a lot of the time they don’t know enough for it to feel natural), Wiles kept the relationship between the two very comfortable and fluid. This could be because, having moved to California herself, she was perhaps more aware of the differences, so could write about them more naturally. However, it could also be that very little of the novel actually takes place in America, and rather features a few American characters: giving a hint of the culture. It’s great to see how Grace helps bridge the gap between the two throughout the novel as she helps to make Saffron Sweeting thrive once again.

I must say that I found Grace’s friends in the book a little irritating at points. I’m not exactly sure why, but I feel that perhaps that didn’t quite appreciate her enough (can you tell I really, really liked her?).  However, this would really be one of the only criticisms I had of the novel.

I appreciated Wiles’ attention to detail, as the circularity of the novel is revealed towards the very end- remember where Grace is stood when she finds out James has cheated! I would probably have liked to have seen more of a development in Grace’s character, rather than the actual ending of the novel, but that’s not to say that it wasn’t heartwarming, and it didn’t feel rushed or out of place.

I would definitely recommend Saving Saffron Sweeting!

Mad Love- Nick Spalding

Having thoroughly Nick Spalding’s Bricking It during the summer, I didn’t hesitate to pick this up when I saw it on the shelf. I had admired Spalding’s use of comedy before, and Mad Love certainly didn’t disappoint.

The friendliness of Adam, one of the main characters, was the first thing that struck me. It felt as if I were perhaps reading the diary of an old friend. Having sad that, I didn’t love the initial presentation of the ‘bachelor pad’, but can appreciate its purpose as a contrast to the life he is soon to lead.

I found the concept of the story very interesting: if modern dating apps are as good as they claim to be at matchmaking, why shouldn’t people marry before they’ve got to know each other? Even though I didn’t know what criteria had been used to match the couple at first, I liked that Spalding had shown responses to specific questions as headings to each titles: it showed the gap between how people like to think of themselves, and how their actions actually reflect their inner personalities. I also liked the fact that Spalding had chosen characters with different backgrounds- it was obvious that an unlikely couple would be matched, but the cultural differences between Adam and Jessica added further to the book’s comedy- my favourite part is when Jessica struggles to pronounce one of the Brits’ favourite insults in an argument, completely weakening her position.  I also noticed that the author made a reference to the comedic event later on in the narrative- a subtle, but clever move.

As always, I liked the fact that the story was told by multiple narrators, including others besides Adam and Jessica themselves. Not only did this reflect the inner-thoughts that a newly married couple would have about one another that they would never dare to say aloud, it added more depth to the narrative and reflected the reality that outsiders would have their own opinions on another couple’s marriage. I didn’t particularly like the tone of the journalist during his narration, but it didn’t affect my overall enjoyment of the book as a whole.

 

Whilst I thought that the majority of the narrative was well-developed and allowed for each character to become three-dimensional and ‘real’, I couldn’t help feeling that the ending was a little rushed. I had no unanswered questions, but it did feel undeveloped and overly reliant on the irony and comedy in the outcome of the situation. This was a shame, as I had genuinely thought very highly of  it up until that final chapter

In spite of the slightly disappointing ending, I would definitely recommend Mad Love to anyone, as I don’t think it really appealed to either gender more than the other. I actually laughed out loud to myself at points, and that doesn’t happen often with books. A genuinely funny story, looking at marriage from a fresh, new perspective that reflects the way that so many people do meet nowadays.

Who’s That Girl? – Mhairi McFarlane

When browsing Amazon, it was impossible to ignore the reviews for Who’s That Girl? as critic after critic praised its comedy and wit, with some comparing it to One Day which, as I have mentioned before, I loved. Never the girl to turn down a ‘laugh-out-loud’ rom-com, I decided that this had to be my next book of choice. I was intrigued to get reading, seeing as the front cover mentions “She kissed the groom. She’s not the bride,”, and I couldn’t wait to see how this would unfold.

 

I loved that the book started in media res, rather than being introduced to the main character, Edie, the reader gradually gets to know her over the course of the first few chapters. McFarlane’s chatty and friendly style of writing was immediately obvious, which meant  that, even from the very beginning, I didn’t want to stop reading. The tone was very light-hearted, which made for very easy reading. On top of this, Edie made for a great protagonist, she was unfortunate to the point that it was funny and I could feel empathise with her, but McFarlane didn’t overdo it for the sympathy vote. The author manages to portray the dynamic of the relationship with her family, and others around her perfectly, with aspects that I think everyone can identify with, so that Edie feels like a real-life, multi-dimensional character with real-life relationships.

The main event of the novel comes about fairly early on, which is good as it allows for the rest of the story to unfold after it. I would say that the few chapters after this main event were my favourite- I was stuck in the dilemma of feeling very sorry for Edie, yet laughing at the reactions of others about what happened. I found the character of Lucie particularly humorous. Not because she was witty or intelligent, but because she was very much the stereotypical and clichéd mean girl- always going too far.

I appreciated the array of different male characters  in the narrative, as it allowed for a varied representation of the different men in any woman’s life and how, sometimes, they can create as much drama as other girls!

The narrative wasn’t such that I didn’t know what was going to happen next, it was more a matter of when, and that is another thing that kept me reading- although there were some surprises along the ay, which revealed deeper insights to certain characters’ personalities. I wanted to know when Jack was going to get his comeuppance, when Edie would stand up for herself, and when the proclamation of love would come out.  However, while for the majority of the progression of the narrative was fairly predictable,  the ending didn’t quite happen as I had imagined. This wasn’t necessarily a negative thing, as it did reach a compromised happy conclusion, but I couldn’t help feel a little disappointed that it wasn’t the ‘fairy tale’ it was looking to be.

 

With all considered, I would definitely recommend Who’s That Girl? to anyone looking for a humours and and heart-warming story, especially if the clichéd fairytale endings have gotten old for you now. Though I perhaps didn’t laugh-out-loud,  and I couldn’t have really compared it to One Day, the novel was definitely filled with humour and the author’s talent for writing was obvious for the entirety. Something I would say is that McFarlane’s passion and dedication to this book seemed to shine through, and I think that is what made it so enjoyable.

 

 

 

The Toy Breaker- Roy Chester

After recently watching (by watching, I mean devouring in a couple of days) Broadchurch and absolutely loving it (late to the bandwagon, I know), I’ve been desperately searching for books and other television shows that follow the same sort of theme that would satisfy by need of a gripping drama until the next series is released. At a first glance, Roy Chester’s The Toy Breaker  would seem to do the trick. On the Kindle Store, the title was followed with “A gripping crime thriller with a stunning ending”, so I couldn’t wait to get reading.

The start was promising, and so was the idea of the narrative: a serial killer has a specific type of victim and has a signature calling card to mark that it was them. I also thought that the idea that the police following the investigation called in the help of a psychologist, as it would  help to add another level to the discovery of the killer, rather than simple black and white evidence. I also liked the fact that the narrative was set in England, I find that it makes dramas and thrillers (whether that be on TV or in books) more haunting, because it’s closer to home.

The further I read, the more I wanted to read. I became genuinely interested in who it was that might be committing the crimes, and enjoyed watching the investigation of the case progress, as the police managed to deduct what type of person it might be, to who it couldn’t be, to who it was. In fact, for the majority of the novel, I would say that I was hooked, and would agree with the description that the novel as “gripping”.

However, it is the end of the description that I struggle to agree with. As the plot unraveled, I was intrigued as to why there was still evidence counting against the guilty suspect. However, I can’t say I was entirely convinced by the final explanation for this counter-evidence, and found the end of the novel a bit odd, if I’m honest. Of course, anyone wanting to kidnap children is hardly mentally stable, but I didn’t expect this specific issues to come about, and neither did I believe it did the rest of the story, which was actually very good, justice.

Having said this, I wouldn’t discourage people from reading The Toy Breaker, but I would advise you to take the description with a pinch of salt. Yes, it was “gripping”, but I felt let down by the “stunning ending” that was promised.