Flash- Tim Tigner

From the very first page of Flash  I was hooked. The situation the Troy and Emmy, the main characters, are in is just so unlike anything I have read before. They wake up in an abandoned car covered in blood next to a dead policeman, with no idea as to why. The mystery and bizarreness (is that even a word?!) had me wanting to read more. I wanted to find out why they had no idea who they why and why they were in that care.

However, this wasn’t the only type of discovery in the novel. Yes, Troy and Emmy were on a quest to discover who they were and what had happened to them, at the same time that the police were trying to discover who they were as their unfortunate situation frames them as criminals, and forces them to continue committing crimes in order to try to learn the truth about their memory loss. This idea that anything or anyone could be discovered at any moment meant that tension was high as the novel’s pace did not slow down.

What I liked about the characters is that they weren’t immediately superheroes, ready to accept their fate. Like ‘realistic’ people, they took time to adjust to their new lives, and to their relationship with one another. They don’t immediately get on- understandably given the circumstances in which they meet one another- but it is  this that adds to the suspense of the story: how will and why should their attitudes change?

Flash is very much a ‘just a few more pages’ type of book, which meant that I devoured it in a matter of hours, and I’m glad I had the ability to do so, as I would have otherwise feared that the narrative would have carried on without me and left me behind. I would definitely recommend this book to anyone in search of suspense and mystery without clichés

Diving In- Gretchen Galway

I’m currently away in Germany, and the weather has been amazing, so I have been spending most of my days laying in the park sunbathing. This warm, summery weather has meant that I’ve wanted to keep my reading light and easy to dip in and out of (no pun intended regarding the title of the book). To me this means a book that is based on a love story, with uncomplicated humour and easy-to-relate to characters.

 

This made Diving In  the perfect choice. Set in Hawaii, the location reflects my current summery mindset (though a little more tropical than eastern Germany, I have to admit) and revolving mostly (but not entirely) around accidentally falling in love, this light-hearted novel was exactly what I wanted in a book. However, the narrative isn’t quite as one-dimensional as this makes it sound, as the two main characters both have deeper reasons for being where they are other than chance or coincidence. Nicki, a school teacher with very little happening in her life, finds herself in Hawaii trying to make her life more exciting and trying to overcome some of her paralysing life-long fears. Ansel, a very lucky (yet incredibly generous), is there trying to make something of his life,  too, after threats from his father that he will be cut off from the family wealth out of fears that his easy life has made him complacent.

Both characters are 30, and have worries that they won’t actually amount to anything. But they also share something else, though Ansel doesn’t realise it quite as soon as Nicki, who hasn’t every been very lucky in love.

Not only is  Diving In great for learning how the Nicki and Ansel fall in love- after multiple bumps in the road and attempts at self-control; it is also a story of self discovery. Perhaps not drastic, ground-breaking self-discovery, but simply a matter of overcoming fears and breaking misconceptions the characters had about themselves. This means that when the narrative dénouement is reached, they are both in a good and settled place for the future of the novel to be possible.

Even though the narrative isn’t the most complex, Diving In  is different to a lot of other romance novels in the way that the aim of the narrative is more than just watching the characters change as they evolve into a couple. This narrative is about the characters evolving as their own people in order that they are able to become a couple.

My only criticism would of this book might be that some points of the narrative seemed to last longer than they needed to- so perhaps it could have been a little shorter- though I never really got bored.  However, this minor criticism would not stop me from recommending Diving In to anyone who wanted what I did before I read it: a feel-good summery read.

The Big Little Wedding In Carlton Square- Lilly Bartlett

I loved this book from the very start, there are no two ways about it. It may not have been the most complex or twist-filled novel that I have ever read, it was light and heartwarming. This was exactly what I needed on a five hour coach journey, where anything too serious would have been impossible to focus on. I also managed to read The Big Little Wedding In Carlton Square from start to finish in said coach journey- not because I was desperate to find out what happened next (that much was almost obvious), but because I genuinely cared about the characters and reading about them made my heart warm.

The whole time I was reading The Big Little Wedding In Carlton SquareI couldn’t help but think a lot about Me Before You – though the couple definitely don’t meet in the same way, their family backgrounds are more or less the same: a working class girl whose family are incredibly important to her, and a privileged man whose always hand things handed to him on a plate. I mean, that’s pretty much where the similarities end, but  Emma Liddell’s character – in her mannerisms and speech and values, very much reminds me of Jo Jo Moyes’ Lou Clark – which I liked!

I like how the author portrayed the two different families, without overdoing it in terms of stereotypes. I suppose that Daniel’s family are slightly over exaggerated, but not to the point that it’s embarrassing to read- but just perhaps how it may feel for a working class family to suddenly be around incredibly wealthy people. Perhaps if the narrative was told from Daniel’s point of view, we would see a similar sort of representation of the Liddells.

At the best of times, weddings are a source of dispute, let alone when the bride and groom come from completely different worlds. However, what I like is that Emma always manages to stay true to her roots, and doesn’t let the temptation of an extravagant wedding paid for by her in-laws override her loyalty to her family.

Ok, so the characters didn’t necessarily have the most complex stories behind them, but for a book like this it didn’t really matter. I would say that  the most important part of the characters in The Big Little Wedding In Carlton Square is seeing who they become after their experiences in the novel, rather than how their past experiences affect the narrative itself.

At times, there are worries that the wedding is going to be a disaster, as white lies are told and false promises are made between the two families. But its great to see the community spirit on Emma’s side (important to me, as I come from a close family with a wide network of friends who always want to help out) help to pull off a beautiful wedding that even impressive some of Chelsea’s most wealthy people, without them even realising.

If you are looking for a complex and shocking novel, then perhaps this isn’t the read for you. But if you simply want to read a book that makes you smile and feel good about people, then I definitely recommend The Big Little Wedding In Carlton Square

Perfect Remains- Helen Fields

When I first began reading Perfect Remains, I wasn’t fully convinced that it was going to reach my standards of a crime thriller. Yes, it was set in the UK; and yes, it featured a weird individual who manages to fool the police (at least for a while). But something just didn’t feel right.

I think I hadn’t full registered the novelty of what it was that this novel’s killer was doing differently to criminals in other books I had read: he wasn’t actually killing. Or rather, he wasn’t actually killing who everyone thought he was. The clever thing about King is just that: his crime is so intelligent; he pre-plans every piece of minutiae that the police may be interested in when exploring the disappearance, and murders, of people. This meant that there was always tension when the police believed they had discovered something about their criminal, but the reader already knows better.

I liked that Detective Inspector Callanch’s character has depth: his story is about more than what we read in Perfect Remains, and it’s great that Fields lets this seep into the narrative, as it gives an explanation to his reasons for making certain choices- whether he is aware of this or not. I must admit, however, the focus on his ability to speak french does seem a little forced at times. Obviously it is another level of his personality, but it did seem that the author allowed this to take up more of the narrative than really necessary.

I didn’t necessarily develop empathy for any character in particular, but I did come to feel very strongly about King by the end of the narrative. It was frustrating that someone who appeared so ordinary and harmless to the outside world could be so twisted behind closed doors. This meant that the anticipation of his capture was constant throughout the novel- he couldn’t have been discovered fast enough. Though, I must admit, his name did rather appear out of nowhere: apart from the initial false suspect, the police didn’t need to waste their time with anything else- I wonder how close to reality this is.

What I liked most about Perfect Remains was that the reader always knows everything. It creates a sense of power over the narrative, and means you can almost feel like you’re outsmarting the police (even though, in reality, you are simply being handed the information). In spite of its minor flaws (namely the heavy focus on Callanch’s bilingualism and the fact that the discovery of King as a suspect happened very conveniently), I would definitely recommend this book. It has the perfect amount of suspense, with the right balance of realism and gore. Have a read!

The Apple Orchard – Veronica Henry

This book’s description deemed it “A heart-warming short story to curl up with” and it really was just that. Admittedly, it didn’t take me long to read at all (hence the shortness of this review). Even in the very few pages the narrative takes place over, it really holds some heart-warming messages.

The reader is instantly welcomed by the friendly voice of Joe, which immediately made me want to read on to see how his story unravels. The fact  that the narrative starts with his voice  allows the reader to identify with him and build a sense of empathy, meaning that you care even more for him when things start to go wrong.

As someone from a small rural village, it was lovely to sample a piece of fiction that mirrored the same kind of close-knit community feeling that I have experienced as I was growing up. I especially loved that the main relationship between Joe and Emilia shows that a difference in age doesn’t affect the strength of a friendship.

It takes much less than a day to read, but I would recommend The Apple Orchard  to anyone in need of something to lift their mood. It most definitely fits the cliché ‘short but sweet’.

Le chef d’œuvre inconnu- Honoré Balzac

Whenever I have read Balzac before I have always found it a little bit of a struggle. Now, this is usually because the texts I read are chosen by my university, and I am reading these (very lengthy) novels not just for pleasure, but to obtain specific information that will help me pass an exam or some coursework. When I saw Le chef d’œuvre inconnu  on the bookshelf, I was intrigued at how short (a.k.a accessible) it appeared, and I instantly wanted to read it- giving myself the opportunity to enjoy such a classic French author’s work without slogging through hundreds of pages.

The first thing that struck me, even in the first handful of sentences, was the beauty that is intertwined in the text. Both in the imagery that Balzac creates, and the sheer delicacy of his choice of words and the fluidity of his sentence structure. Also, it is amazing to see how things can change so dramatically in such a short space of pages- and how this change is influenced by something that so many people would never think twice about: art.

It was interesting to see how someone could be so passionate about something that wasn’t simply love with another person and the lengths it could drive them to if it goes wrong. Though, having said that, of course, what would a 19th C narrative be without the influence of a woman’s beauty to shake things up a little?

 

I would definitely recommend this to anyone who has struggled to enjoy a Balzac text before, as it works as a type of stepping stone into appreciating his undeniable skill as an author, and has definitely encouraged me to pick up one of his longer works for fun again!

All That Remains – Hannah Holborn

Having read a handful of romantic novels recently, I was craving something a little more ‘meaty’ and intense. The first few words of the book description was enough to draw me in “Meet detective Harvey Sam” as, like I’ve mentioned before, I am obsessed with the ITV series Broadchurch, and it has seriously whetted my appetite for detective drama- in television or book form.

Firstly, I think it is important to say that I read All That Remains from start to finish in a matter of hours- once I got into the narrative, I couldn’t bring myself to put it down!

From the very first page I could tell that the book was going to be a little on the darker side, mainly because of the confusing, messed-up nature of the criminal. In fact, Willard is so odd that it did take me a little while to properly understand what was going on- especially as Holborn doesn’t make it as clear as possible- which is definitely a good thing as it adds to the feeling of suspense. As the narrative unfolds, the reader begins to learn Willard’s reasoning behind his crime, which does evoke some sympathy- though not enough to condone what it is he has done and continues to do.

In fact, I find it interesting that the entire book forces the reader to ‘feel’ about different characters. For the most part, it is empathy and sympathy that the reader feels towards a handful of characters that wish, ultimately to do well, but past life experiences and circumstances perhaps prevent them from doing to their best potential (for example, Detective Harvey Sam’s family situation influencing his attitude towards his job, and Chase’s ability to do the right thing, out of fear that she will trip herself up and get herself in trouble. However, ultimately, the most sympathy the reader feels is for Gabriel Wheeler, whose mother is so infuriatingly uninterested, who can never see the bad in people, because he has grown up thinking that this ‘bad’ is actually normal.

Holborn is great at creating characters that really make the reader feel, and this is an important factor of any book for me. The narrative wasn’t necessarily the most surprising I have ever read, but there certainly were points that could have let it go either way- and it is these points that kept me turning the pages. I also liked that the narrative resolution wasn’t clichéd- it wasn’t convenient and easy, as often happens with mystery novels, and up to the very end it was unclear how the book was going to end.

I would definitely recommend All That Remains  to anyone with an interest in drama, mystery and suspense. It’s got the suspense without the gore or violence that can often come with these types of novels, which means that it is perfect for those newer to the genre. Also, whilst the base of the narrative is fairly common (a missing child) the other issues in the book, as well as the way the narrative pans out is much deeper and more interesting. A satisfying read for anyone.

Love For Scale – Michaela Greene

One of the reasons that I chose Love For Scale as my next read was that, not only did it seem like a light-hearted, easy-read, romantic comedy novel, the protagonist seemed to have more of an interesting story than similar books. The more I read of the novel, the more I began to appreciate that it really was the characters that made this book so enjoyable.

I finished this book in just a matter of days, not only because it was an easy and enjoyable read, but because I actually really liked the characters. I thought everyone in the book could pass as ‘realistic’, which is an important element of a book for me.

Rachel and her best friend spend their weekends trying on wedding dresses, in spite of the fact that neither of them have any intention (or rather, hope) of getting married any time soon. This, along with Rachel’s rather overbearing Jewish mother, constantly concerned with feeding Rachel and trying to put her marriage in place, contributes to the general humour of the book.

 

Naturally, the narrative follows Rachel’s journey in love. However, this doesn’t happen without a journey of self discovery and growing confidence, which makes for an endearing read. She finally takes control of one of the things that bothers her the most: her weight. The great thing is that Greene actually shows this in a realistic light- joining a weight loss group doesn’t necessarily make for an easy ride, and she shows this in Rachel’s behaviour- towards other people and towards herself. It is also encouraging to see that, although Rachel wishes to change her weight herself, no other characters have any negative perceptions of her weight, and they even reassure her that, even if she weren’t to change, she would still be perfect as herself. I think this is important in a time where, thanks to the media, people are more conscious than ever of their body shapes and sizes.

In spite of the difficulties she does face, it is great to see how Rachel’s weight loss journey helps her to take control of other parts of her life, such as moving out of her parents’ home. Although the news is broken under far from comical circumstances, the way other characters react to her decision manages to add to the novel’s comedic value.

Whilst even at the end of the novel, it is clear that Rachel is not entirely confident in herself, the transition between her character at the beginning is astounding, and incredibly encouraging.  In my opinion, ending on a point that doesn’t show the completed journey helps to give more dimension to the narrative as the reader gets the impression that the characters’ lives continue beyond the pages of the book.

Even though this may not have been the most complex novel, I definitely think it’s worth a read because it is so easy to establish similarities between your own life and Rachel’s. Whether you are on a similar weight loss mission, or a self discovery journey, or not, I think everyone would be able to compare the novel’s characters to people in their own life- which usually means you become more invested in the novel.

 

Beyond Repair- Susie Tate

I chose this book as I choose most of my reads: on the Amazon Kindle Bestsellers list. The book description sounded like the perfect light, comedic read after the more serious narratives I’ve been reading lately, so I was looking forward to getting started.

My first impressions matched my expectations, I liked that it started in the middle of a familial situation, helping to establish a clear picture of who some of the characters are- in terms of their personalities and their relationships with one another. It was instantly apparent that Katie, the main character, was likeable and made me want to continue reading as I cared about what happened to her.

This lasted for a few chapters, until I began to lose interest in the narrative. I’m not sure whether it was that perhaps I hadn’t been concentrating enough, or whether it was simply that the narrative had slowed down. I found myself needing to re-read multiple pages to check that I hadn’t missed anything important to understand the current situation, and most of the time I hadn’t. This inability to remain interested in the narrative continued until around five chapters before the end of the book, where the action seemed to pick up again. Once again I was interested in the relationship between Katie and Sam, and I think it was at this point that the rest of the narrative (where I had lost interest and investment) started to make more sense.

I must say, however, that the end of the narrative was rather cliché, and whilst this isn’t always necessarily a bad thing, I think I was hoping for a little more substance, given the deeper issues in the rest of the book.

I think Beyond Repair does show Tate’s ability to build three dimensional characters in a way that the reader is able to empathise and identify with them. However, I do think that sometimes the detailed description within the book, though useful and effective at points, can distract from the actual action in the narrative- and this is perhaps why I found it difficult to stay focused on what was happening. I did appreciate the short chapter lengths because, as I’ve mentioned before, I read whenever I get the chance (even if it’s just five minutes), which means that I can easily dip in and out of the book, without losing myself midway through a chapter.

This hasn’t been my favourite book by any means, but that is not to say that I wouldn’t recommend it. I think I would just advise potential readers to stay as focused as possible when reading to avoid losing track of what is happening.

Kill Someone – Luke Smitherd

I wanted to read another action-filled book after my previous read, and the book description for Kill Someone seemed like it would do the trick.

My first impression was that it was very easy to read, Smitherd doesn’t use overly complicated vocabulary unnecessarily, which is something I really appreciate. We also get to know the main character very quickly, which makes it easy to become invested and interested in what the narrative may have in store for him.

Though I found the concept of The Man In White a little tongue in cheek and a little odd given that it is so removed from the reality of life, especially in semi-rural England, I was intrigued to see how a character, so obviously exaggerated, could fit into the narrative.  It turns out that having a character so removed from what is real helps to emphasise what is real, and helped to highlight the question of human nature and what we believe to be right and wrong. Chris is faced with a lose-lose situation, but he is forced to make a decision because The Man In White is able to put such an intense pressure on his conscience.

At the beginning, it seemed that the novel would be full of action and tension, wondering whether Chris would manage to achieve the goals he had been set, and what the consequences would be. However, the reality was that it seemed sort of a half-hearted attempt. Yes, there were moments of tension, but nothing that matched up to the promises that the Amazon book description seemed to make. In fact, after the initial uncertainty as to what might happen next, I found the narrative rather predictable: not in the way that I knew exactly what was going to happen and how, but that I could predict a general narrative arc.

I did like that the consequences of Chris’ actions were followed up towards the end of the book because it helped to complete the narrative- it also helped to build empathy for Chris as his personality is put under scrutiny.  But, once again, I didn’t really feel like this was done to its fullest potential- there were still questions left unanswered It was interesting to see quite a serious issue portrayed in a narrative form: how having a dark secret can force an individual to distance themselves from their family and friends. Also, I felt that the book showed that just because a person does bad things, they aren’t necessarily at peace with themselves afterwards. This meant it was a pleasant surprise to see Chris figure his life out and become more settled, in spite of the darkness that does surround him.

I was a little disappointed by the ending, as I felt that I had a lot of unanswered questions that I couldn’t begin to answer for myself. For some people, this would be a positive thing as it allows the reader to use their own imagination, but I like to be given concrete evidence (or at least a hint) of the future of the narrative after the end of the book.

Overall, I wouldn’t discourage people from reading this book- I was always interested in the narrative and never got bored of reading it. However, I would just warn that it is not as dramatic or impressive as I was expecting.